“My destination is no longer a place, rather a new way of seeing.”
― Marcel Proust
Monday, August 17, 2009
The scheduled fireworks start late and we agree that we’ll have to miss the burlesque show this time. We’re on Coney time, after all. But we’ll be back. The fireworks, a decidedly very low-tech affair brought back more fond memories than anything Macy’s has ever elicited as the ooohs and aaahs chorused around us. Sleepy children slumped in strollers, oblivious. One mother explained that they had been on the beach since that morning and smiled indulgently as she rocked her son back and forth. Another woman, extravagantly manicured, described the filet-o-fish she’s had earlier. “I hadda throw out the fish. That’s how bad it was. Fries so greezy it was up in my nails. I stuffed them into the bread and had a potato sandwich!”
A native New Yorker, I was born on the lower East Side before it was trendy. Way before.
Years ago, when the corporate world of magazine publishing booted me out the door, I picked myself up, dusted myself off and decided after struggling as a painter for most of my adult life that I would struggle as a writer.
The idea for my novel “A Birdhouse In Brooklyn” came from an original idea I had for a screenplay, “The Birdhouse.” While writing that screenplay—a collaborative effort—I felt my story was bigger than a movie and I began in earnest to write it as novel.
The novel is entirely a work of fiction. Names, characters, business organizations, places, and incidents are either the product of the author’s imagination or used fictitiously. The use of names of actual persons, places, and events is incidental to the plot, and is not intended to change the entirely fictional character of the work.
A BIRDHOUSE IN BROOKLYN has been registered with the Writers Guild of America, East #R20993 (June 13, 2006). No part of it may be posted or reprinted without permission from the author, Linda Danz.
All photographs, unless otherwise credited, are mine.
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