“My destination is no longer a place, rather a new way of seeing.”
― Marcel Proust
Monday, March 31, 2014
the art of the feud she wasn’t looking for good she knew better she’d come from a long line of irreverent slappers who fought over notes inconvenient detractors when life was augmented and canons redacted it’s simple he said it’s all down to order an enigma she said if you can’t be bothered it’s a twisty kind of self-reliance listen for the code death is defiance finish referential dare to intrude on what is old separate her from the flaws count her among debated encores the last sheet of music as the old ones compete in the cheap seats defying ugly defeat she wasn’t looking for good those errors and flaws had a way of seduction that cannot be proven she wasn’t looking for good she was looking for human
Wednesday, March 19, 2014
Tattoo or dye your hair rumble instead through their lair though I say die your hair I mean instead worry that errant tooth to freedom it’s said this is age my friend an unwilling, yet necessary means to the end what to do where to go staunch the bleeding or ignore the foe I have many, many things to tell you I am an original and not a God-knower I write in one shot like a leaded glass a flash of bourbon comes unasked Those fucking ants fly like the past you are rid of yet still it remains on sugar trails and I’ll lick the path until it dissolves all crudely present all a sum of unease I’ll find a way to do as I please as I prod my beauty from my mouth and accept the loss that I can live without a molar a canine a mouth full of shout tell me more I will listen tell me less then, I glisten I’m angry and toothless it comes with respite I’m old and I’m breathless and I can still bite.
A native New Yorker, I was born on the lower East Side before it was trendy. Way before.
Years ago, when the corporate world of magazine publishing booted me out the door, I picked myself up, dusted myself off and decided after struggling as a painter for most of my adult life that I would struggle as a writer.
The idea for my novel “A Birdhouse In Brooklyn” came from an original idea I had for a screenplay, “The Birdhouse.” While writing that screenplay—a collaborative effort—I felt my story was bigger than a movie and I began in earnest to write it as novel.
The novel is entirely a work of fiction. Names, characters, business organizations, places, and incidents are either the product of the author’s imagination or used fictitiously. The use of names of actual persons, places, and events is incidental to the plot, and is not intended to change the entirely fictional character of the work.
A BIRDHOUSE IN BROOKLYN has been registered with the Writers Guild of America, East #R20993 (June 13, 2006). No part of it may be posted or reprinted without permission from the author, Linda Danz.
All photographs, unless otherwise credited, are mine.
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