“My destination is no longer a place, rather a new way of seeing.”
― Marcel Proust
Saturday, December 14, 2013
Culture of innocence
does not exist
moonlight’s eloquence
remains unfixed
until the poet
scrambles to sane
vulture recognizance
bird’s eye view
everything is old
nothing is new
bones pecked to elegance
the lions are converts
having eaten the Christians
they are ready to revert
it’s ugly this hatred
this senseless revenge
a baby torn
from its mother’s side
a culture dismissed
is covered by scribes
who lie with the grace
of practiced men
who manage the seas
with lying amends
shall they swim free
or murder
the keepers of order
still own the gun
the doe checks her path
and looks to her fawn
A native New Yorker, I was born on the lower East Side before it was trendy. Way before.
Years ago, when the corporate world of magazine publishing booted me out the door, I picked myself up, dusted myself off and decided after struggling as a painter for most of my adult life that I would struggle as a writer.
The idea for my novel “A Birdhouse In Brooklyn” came from an original idea I had for a screenplay, “The Birdhouse.” While writing that screenplay—a collaborative effort—I felt my story was bigger than a movie and I began in earnest to write it as novel.
The novel is entirely a work of fiction. Names, characters, business organizations, places, and incidents are either the product of the author’s imagination or used fictitiously. The use of names of actual persons, places, and events is incidental to the plot, and is not intended to change the entirely fictional character of the work.
A BIRDHOUSE IN BROOKLYN has been registered with the Writers Guild of America, East #R20993 (June 13, 2006). No part of it may be posted or reprinted without permission from the author, Linda Danz.
All photographs, unless otherwise credited, are mine.
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