Thursday, December 3, 2020

 































Thousands of tiny stars

In the palm of your hand

Tonight.

Frightening flesh-eating

Soul-grating ambassadors 

Enlightened by night.

What does it mean in the popular sense?

Tip of your finger

A bit like the flag.

That pulsating field of dead.

Raking up innocence

Stirring up dread

Tonight.

Tiny stars run mistaken

From the palm of your heart

Veering into mine 

Still awake.

 

Thursday, October 22, 2020

 


ODE TO THE FUCKING CAT

 

He demands the overtime 

due in his profession.

This Familiar role he 

Enacts without question.

This life he procures

For his own well-being.

This human he endures

To give life meaning.


Saturday, October 10, 2020

 


we were created 

assigned to the future

tentative like furniture 

you haven’t yet bought

for rooms that are

silent as the drones 

you have 

yet to drop 

slowly for a better view

when there is a story

we hive like bees among chapters

parsing a tale to suit

we straggle at sentences

like the time I dressed naked in your poet’s shirt

drunk-filled with poems

running from doctrine

misunderstood among the hoi polloi

we grasp what matters

parsing commas for relief

reasons for all this shit

suspended in disbelief

every mistake belongs to everyone

my love for him

is all I know

I mask yet I won’t begin to follow

we were created by our own kind

children are born free

a lesson unlearned for eternity

my love for him

is drunken sometimes

I grasp what matters

I struggle for the rhyme

we are created in evolution

greet the bastards with crime

signal the masthead

bolt from the line

my love for him

I roll like the credits

over a serial killer film

And then like the lottery

it’s ours in the end

like ours in the friendship

like ours to re-friend

I grasp what matters

my love for him has been in tatters

struggling for the rhyme

created in evolution

greeting the bastards for every solution

memory loss the time-honored escape

Being here is what matters

Being here is the rake

 


Friday, August 28, 2020

FLYING


Come with teeth-grinding, bone-rattling, nail-biting, heart-thumping

Will to contrive another way 

Another stay 

Just a little bit longer

To witness, to suffer, to plan, to report soul-numbing, hymn-humming,

Need to be here

To challenge war with joking retort

In the toilet stall of distance

When you loosen the hold on memory’s fort

Bullets fly in rueful resistance

We’ll gather around a persistent fire made of small-stick-rumbling

Of gangs intent on staying

What would have worked if we’d all been brave

Witness and doer all the same

When thoughts of dying

Return from flight

Like carrier pigeons

You have learned how to die

Saturday, June 13, 2020

Where do we go from nowhere
when the last cowbell clangs its lonesome cheer
when seven o’clock is abandoned
when protest is manhandled
where do we go when the bees disappear
traffic below returns like a shark
eat enough junk food they say
you’ll embrace green asparagus
retire to your room
read more Karl Marx
who has the moral authority
who wears the real mask
this is the question to
ask and then ask again
look to the gods who are complex humans
the ones who stumble
the ones who die grinning
clasping dream gyros
and leave us spinning
drop that summons that insult to freedom
charge from the lighthouse
attack the doldrums
we have always shuddered in darker places
it’s a game, it’s a scrabble
get down with the races
love and war
hunger and Zen
you can’t be declawed again and again
there is never a time when
a flower lacks beauty
children are born free
this certainty’s no illusion
disaster becomes us
grows our heart and our minds
in the moss of invention
we are people in charge
we are people enlarged
we are people learning to look closely
all visas before are rendered unworthy
passports are useless
we are travelers free of respite
put on a raft and set alight
push us off to the sea
fight the rage of the sharks
haul those oars
depend on the larks
morning comes as it always does
righteous anger awakens
what was interrupted
we will no longer be diverted
can I survive, beauty asks
normal was wounded
unorthodox tainted
heartbroken heals what was always intended

Friday, May 8, 2020


under the blackness
ribs feathers mortar and soul
use wisely and free

Wednesday, May 6, 2020



The Change

It had been a long and sometimes turbulent flight from JFK in New York to London’s Heathrow airport. Unable to sleep, Susan Holt spun a fretful scenario over and over in her head. All it would take would be an unceremonious nudge to push her jobless into the New Millennium. At the Zen-like warning bong, Susan squinted at a panel above her. A flashing Fasten Seat Belts joined No Smoking, which had remained on during the flight. The pilot’s announcement discombobulated her. It was neither a New Yorker’s abridged bark nor a Londoner’s genteel enunciation. His flattened nasal twang floated across the re-animated economy cabin, informing sleepy passengers of altitude, time, and weather on the ground. Susan peered from her aisle seat to the middle-aged woman at the window. Neither of them had dared to co-opt the empty seat between them for a nap. It took a blurry concentration to see the window shade had been pulled up. The gray rectangle was the color of morning now.
Susan shoved a crumpled polyester fleece blanket from her lap. With that, her book flipped into the aisle. She knew Virginia Woolf’s Night and Day was the wrong choice for the flight, but she’d kept it open on her lap. Flashy tabloids of rumormongering and celebrity Schadenfreude were better suited to being trapped in claustrophobic spaces. She bent stiffly to retrieve the well-thumbed paperback. Yes, one might suppose she’d passed the time of life when ambitions were personal—that it was time now to observe and reflect. Doubts about her job would be put on hold while she was in London for the next ten days.
Take the overnight, Dónal had insisted. Susan hated the overnight flight. It forced her into a full day ahead with no chance of sleep for another twelve, maybe fifteen hours. He expected her to get right to work. Her annoyance with him would be short-lived once she’d had a hot shower and a typical English breakfast in one of those workingman cafes Dónal was always rediscovering, like his poverty. Her love for him would return with the first tickling draught of vintage champagne he’d insist on, and once the badinage between them had taken off. She’d tell him about the awful in-flight teen film she’d forced herself to watch. He’d take off immediately on a hilarious homo version of American Pie. He was nothing if not a remarkable storyteller. She was his captivated audience.
Dónal Brennan was forty-six and desperate. In fact, he was always at some level of despair: desperately poor, desperately behind in meeting a deadline, desperately in need of a sponsor, desperately in love or desperately shattered when a lover had had enough of the desperation. His poverty was of his own making, as was his inability to complete grant applications on time, if at all. Desperation was trumped only by sporadic bursts of supremely self-confident behavior. Then, in no time, he produced hundreds of pages of a novel-in-progress. There was no middle ground. His name said it all. His surname meant little drop. His given name, also a form of Irish Gaelic, meant world ruler, or world mighty. In correspondence he insisted on the accent. It stood out like a tiny sword over the “o” in Dónal. No one ever called him Don.
Drinks on the plane had long since outlived their anesthetic purpose, turning on her and leaving Susan with a painful throbbing behind the eyes.
“Purpose of your visit?”
Muse, was what she wanted to reply to the customs officer. But on this gloomy late November morning he was not smiling. She was, in fact, carrying over 1,000 pages of Dónal’s novel—in duplicate—in her hand luggage, which no one bothered to search. Dónal didn’t trust the Internet, forcing their collaboration to move at a snail’s pace.
Susan Holt was editor-in-chief at a French-owned publishing company in Manhattan. She had held that position for five years, churning out magazines that catered to women who cooked, decorated, lost weight, parented, and still found time to knit. In a time when so many gay men were dying, Susan’s boss had died unpredictably from ovarian cancer. Olivia Sinclair’s prognosis, her rapid decline, sent Susan’s department into a tailspin. The object was to keep the pump of advertising flowing freely while they milled holiday specials and bridal issues. Susan had once offered a wry observation that their department—so different from their fashionably upscale counterparts on the floors above them—was like the Special Olympics of magazines. She’d been shot down by a withering look from Olivia. After Olivia’s death, Susan—eminently qualified—slipped unchallenged into the number one spot. She was an unmarried workaholic. She was thoughtful regarding her assistant. She was not disliked.
Dónal had often referred to her as his muse. She’d eventually seen through the flattery he draped her with, his insistence that he could not do it without her. It didn’t take a muse to covertly photocopy his Herculean novel. A muse would have had better things to do than to spend countless late nights in the office. For all the editing she had done on Dónal’s novel—this one and others prior—she wasn’t even sure she could call herself his editor, much less his muse. Nursemaid would be closer to the truth.
Dónal was nowhere to be seen in the forlorn cluster of rain-sodden drivers holding up signs. Susan buckled under the wave of annoyance that preceded a hot flush, grabbing the nearest empty seat. Dónal’s capricious nature, his Irish inattention to another’s time, was infuriating at the best of times. Now her hormones were firing on all cylinders. She rummaged in her bag for the cell phone she’d bought on her last visit, praying it had not expired. Her personal cell phone was useless abroad. Dónal refused to have one.
“Why aren’t you here?” she demanded. “You promised me you would be here.”
“I can’t tell you,” he whispered dramatically. “It’s easy now anyway to get here on the tube from the airport. Don’t take a taxi. The traffic will be mad in the city. It’ll be too expensive.”
To spend it on you is more like it, she thought, restraining herself. She was too angry, too early.
“Sure, you’ve done it before,” he chided, filling the silence at Susan’s end of the line. “Don’t be a silly cow.”
She hung up on him.
It was like diving through soup in the tube, cold soup. The Piccadilly line was overheated, nearly empty, but at each stop before Acton station a blast of wet, cold air sloshed through the open doors of the carriage. Susan shivered in her coat, wishing she had brought a scarf. She was awake now, wide-awake. Though why she was made no sense. The night before her flight she had not slept well. That night, and for that matter many nights, had been passed in sleepless battle with her body’s raging hormones. At King’s Cross, she swam with the rush hour surge, changing for the Northern Line to the Old Street tube station.
She’d spent the previous evening with a close friend, Ralph Lyon, another gay man. Most of her friends—her male friends—were gay. She did not have many female friends. Womanly contact was relegated to her office, in which were dogged legions of females pitched in a passive-aggressive battle in a male-dominated corporate world. She was their beleaguered captain, but not often invited below deck to raise a pint of anything. The last voice she needed to hear, anyway, at the end of a grueling day was one that sounded like hers.
Ralph was bewildered by Susan’s ongoing friendship with his Irish friend—his former friend, he reminded her. A tenuous rift had widened over Ralph and Dónal’s temperamental friendship that had lasted some five or six prickly years. It finally became an impassable crevasse between them on the same day that Susan began her own odyssey with the mercurial Irishman. Ralph had mentioned him in a way that predicted the apparent tension when she’d finally met Dónal at the funeral of a mutual friend. “He is genius,” Ralph told her, “and smiles with teeth like a leg-hold trap.”
She was seduced immediately by that irreverent grin. Ralph watched from a distance as Susan was charmed. His own relationship to the dead man was dear. Susan understood his vexation with her. So many had died that the funerals were beginning to blur. Not this one. The presence of a coffin crafted as one might for a pharaoh—specifically to the dead man’s wishes—elicited a wicked observation from Dónal, causing her to gasp and then giggle. Ralph’s anger with Dónal was still raw and had never healed. He’d forgiven Susan.
Dónal’s novel—the one she was carrying—was titled On the Wings Of Plagued Angels. She had spent the better part of the past six months editing it, or trying to. Dónal balked at so much of what she recommended that she would have thrown in the towel if she had not seen, down the line, that he had incorporated much of her input. He revised, confident it had been that way all along.
By the time Susan reached the flat, the downpour had slowed to a bitter drizzle. Dónal answered the door in an aged plaid woolen scarf wrapped desperately around his neck. He was disheveled and shoeless. His big toe poked through a mismatched sock. He was wearing an un-ironed shirt, worn at the collar and cuffs. His jeans were weirdly out of style and unlike him. 
They skimmed an awkward kiss. “Why are you dressed—?”
“I’m beggared,” he whined. “Skint.” Then, as if talking to a foreigner, he snorted, “Dead broke.” He nodded toward the tiny bathroom. “The toilet won’t flush.” He prodded a plastic bucket filled with water at the ready by the bath. She shook her head, not comprehending. “You have to flush with the bucket when you take a piss, or, whatever,” he said.
And it was cold because the heat had failed.
Susan brushed past him. She closed the oven door in the kitchen of the tiny flat and turned off the oven. It was a council flat Dónal had once shared with his Argentine lover. “Where’s André?”
“He’s left me!” Dónal wailed. “I’m—.”
She cut him off. “You’ll kill yourself trying to heat the place. At least do it after I leave.” She called the caretaker about the heat, explaining that she was a relative from America visiting her sick cousin. Assurances were made that the heat would be back on by the evening. The toilet, however, wouldn’t be looked at until Monday. It was Friday.
It crossed Susan’s mind that she could book into a hotel. Bring him along. But that would be regarded as desertion or worse, an insult to his perceived poverty. He lived on the top floor. There was no lift. He said he was starving, far too weak to accompany her to the shops. There was nothing for Susan to do but head back out into the dismal morning. She wouldn’t be enjoying a fry-up any time soon. He wanted granola and yogurt and fresh fruit because he was, “…as you can see, not in a good way.”
Heading down Pittfield Street, Susan considered that she had made a mistake coming over. “He’ll be the death of me,” she muttered. She flexed her stiffened hands and touched her burning forehead with icy cold fingers. She hoped he had gloves to borrow. 
Stepping into the road she was nearly clipped by a black cab barreling through the intersection from an unfamiliar direction. Breathless, Susan leaned against a railing at the crosswalk until she could no longer feel her heart banging to escape her chest. She shopped for groceries for breakfast and dinner. Then the alcohol: red wine and a bottle of gin, some tonic. She went back to the market for limes. It was as much as she could carry up the hill past Hoxton Square to the council estate, yet she felt mean for not having bought champagne. She could go back out later, after she’d had some food, maybe some rest.
“Ralph says hello.”
“No he doesn’t,” Dónal retorted, directing her to the cabinets, which were, surprisingly, crammed with bags of pasta alongside cans of tomato juice. Containers of pesto were wedged into the undersized refrigerator. She forced the package of lamb chops he’d requested between them. The freezer held an unopened bottle of Stoli.
“You’ve been poisoned by him,” he said petulantly.
“Poisoned? How?” Though she knew exactly what he meant. “You know how he feels,” she replied, abandoning on the counter the rest of the groceries—whole meal bread, Weetabix, Walker’s crisps for her. “Can’t we just leave it at that?”
The smell of freshly brewed coffee filled the flat, restoring her. Yogurt and granola was probably the better way to go, though she’d make sure to get a plate of bangers down her neck while she was here. Miraculously the heat did come up. She wanted to call the caretaker to thank her for getting the job done but Dónal stopped her. “She’s a cunt,” he said.
After the dishes were washed and put away, Susan managed a sponge bath, draining the tub of murky standing water before filling it calf deep with hot water. Dónal shouted through the bathroom door, “Remember to fill it again when you’re done in there. Just don’t use any more of the hot water.”
He was anxious to get to work. Susan changed hurriedly into fresh clothes. Wet hair clung to her neck and she was glad of the heat steaming up the few windows in the flat. He’d discarded the moth-eaten scarf for a pristine Burberry, one of many she knew he owned. He’d slipped into a pair of glove-soft loafers, red suede branded with that telltale horse bit. Italian. 
“My God, your face is red! What on earth?” Dónal had purged her carry-on bag of its contents; his manuscript sat among her personal things on the table between them.
“Oh, you know. It’s…(she pinched the air with invisible quotes)…my time of life.”
Dónal covered his mouth as if she’d just said: I have tuberculosis. “Ugh. The change.”
“What, ugh?” she asked, indignant. “You know, I’m actually having a hard time. Especially at work….”
He flipped through the pages of his manuscript, avoiding her question. “Mother made life absolute hell for all of us when she went through it. The Vale of Estrogen, I call it.” He chuckled softly. 
The afternoon passed unnoticed into early evening with little change in the blustery lowering sky. “What about dinner?” Susan said, lowering her glasses.
Dónal returned from the kitchen holding a bottle of red wine aloft. “Oh, I think a wee bit of imbibing is in order, don’t you?”
The label looked expensive. “That’s not what I bought.”
“No-o-o,” he purred. “Jason gave it to me.” Jason was one of those hyphenated trust fund boys who followed Dónal like the stock market. He showered Dónal with his cast-offs: the Burberrys, the cashmeres, designer shoes and tailor-made shirts. Susan had met him a few times. She always came away thinking, he’s not really straight.
Dónal’s coterie was an ever-shifting bunch of both sybarites and guttersnipes. There was always the brilliant straight male—or two—among them, those who loudly professed their ease among gay men. Then there were the women. Some, from his university days, had remained out
of loyalty or boredom. One was the daughter of a famous pianist. Others were beautiful, eccentric—a few with their own wounds. All had the capacity to wound him. The lovers, when they stayed for any length of time, were sideshows to the party. Dónal had lived with André, who had never liked any of
the hangers-on, least of all Jason. André worked with an international human rights organization, eventually tiring of rescuing Dónal. Sy, who had come before André, was rough trade.
Susan looked around the disheveled flat. No wonder André had left. She liked him and vowed to reconnect once she got back to New York. It really was all Dónal, all the time. She tried to bring the conversation around to her—what she was facing in her life—when they broke from the job at hand. The only time he paid attention was when she said, “I may not be able to afford these trips after a while.”
Then he launched into recounting the last terrible days of his life in Manhattan, how some had deserted him when they’d found out he was hiv positive. “Diana especially, and I don’t mean the princess.” A nearly overflowing glass of Châteauneuf-du-Pape was suspended before her. “We’ve worked hard today,” he said. “We deserve this.”
During the night, Dónal slid in beside her. He’d graciously offered her the double bed, insisting that he was fine in the front room on the futon, “…if you’ll just help me unfold it and make it up.” She, unable to sleep, felt his unwelcome warmth, his weight beside her, inching ever closer, claiming the space. When she got up to pee she tripped over the bucket.
In the morning, hung over, her body stiff from avoidance, Susan checked her watch and saw it was past eleven. A mechanical purring came from the kitchen. She knew that sound. Dónal was making Bloody Marys. The lingering aroma of last night’s feast—copious amounts of robust red wine, baby lamb chops, and roasted red potatoes—sweetened the whole-foods artlessness of another breakfast of yogurt and granola. A hint of garlic still hung in the air until the stronger aroma of fresh coffee overtook it.
Susan declined a second Bloody Mary. The vodka wasn’t helping. She’d been trying to find her way through the plot of his novel, deciding there was none. She asked, “Is that it? That there is no plot?” He refused to allow her to “shape” things in the manuscript. He believed his style was the plot, pure genius as he so unabashedly claimed. She’d surmised that On the Wings Of Plagued Angels—subtitled Life In the Age of AIDS—wasn’t about life. It was about childhood abuse and death—more specifically, the death of his mother.
“But there is life,” he insisted. Dónal had abandoned the wearisome jeans. Leaning theatrically in the kitchen doorway, he was dressed in camel-colored wool trousers. He had layered cashmere with a flamingo-pink pullover over an eggshell-white turtleneck jumper.
“You look nearly presentable now. Better?” Susan asked, almost sarcastically. “Maybe we can still go dancing while I’m here.” He ignored her.
There would be no dancing, she pondered. No theater either, although on previous visits they had made the most of both. There was always dinner, the theater, usually something classical, along the lines of Medea, where a famous actor once sat directly in front of them two rows ahead. Dónal, of course, knew the man’s godchild, “…a dreadful little queer who sucks up.” They’d gone to drama school together; while Dónal had had to work his way through school as an usher, the other was already blowing his way into film roles. “Minor roles,” Dónal emphasized.
Susan enjoyed dancing with him, though she doubted she had it in her these days. Off they would go to Camden Town for drinks and dancing at drag bars like The Black Cap. The last time she’d been there, Cher’s song, Believe, had resurfaced as a huge disco hit. Susan and Dónal had danced like the possessed. Sy, the lover of the moment, wasn’t a dancer, but he watched.
“Have you heard anything from Sy? I wonder how he’s doing?”
“Oh, poor man,” Dónal sighed. “I hurt him a lot. I left him right after I started the Minor Wounds book. I am a little sorry about that. It was unavoidable. He was a bit of a lost soul.”
“Was?”
Dónal swayed past her questioning stare.
“The thing, Susan, is to carry on being good in the present.”
The afternoon dragged on. Tomato juice ran out. They drank vodka straight. Susan groaned periodically. When he asked her why she said, “That’s the sound of my brain trying to sort though all this.”
“All this” was the manuscript splayed out before them on the table, on the floor, on chair seats. He balked at cutting anything. Every word was precious. “Even” was the last one they’d argued about. His response—so musical in its delivery—to her suggestion to eliminate it seduced her and, without totally understanding why, she agreed to its oft-employed inclusion.
“I have come to love certain expressions, and words like ‘even’. They leave open the possibility that we can never have the last word.” He sipped from his glass, pausing dramatically. “It is my mission to recognize that the last word does not exist. This word allows for fallibility. I have created this arena.” He gestured grandly to the pages scattered across the tabletop. “It’s Joycean, you see. Life. Death. Begin again.”
The sky had darkened when Susan rose to switch on another lamp. There had been many esoteric references: Hegel, Spinoza, Joyce. They had picked through the manuscript; in some places it was like picking at a scab and then suddenly: Beauty. Light. Hope.
Dónal took the telephone into the kitchen and made a call. It sounded as if he was making a dinner reservation. He returned, an expression of smug satisfaction etched into his face. It was a beautiful face, carved into ageless stone. In summer, when his face blossomed with freckles, it had the quality of cork, especially as he grew older.
“What are you up to?” Susan asked.
“This is the season,” he declared mysteriously.
She prodded, almost annoyed, “Season for what?”
“White truffles, my dear!” To her vacant look he added, “White truffles, infinitely superior to the black ones, are cultivated from October to the end of the year.” He studied her face. “That’s now.” He headed for the bedroom. “Tart up my dear, we are dining at Carluccio’s.”
Susan bathed and then dressed in a little black wrinkle-free number. She pulled her hair into a soft knot at the nape of her neck. She added just a bit of lipstick, as nature had taken care of the blush in her cheeks. Dónal was drawing his arms through the sleeves of a camel hair frock coat. Black cashmere turtle neck jumper, charcoal wool trousers. Another Burberry scarf at the ready. Just before they left for the restaurant, Susan flung her coat open as she experienced the greatest spike in her body temperature yet.
Dónal ignored her. “Hurry, the cab is downstairs. We’ll be late.”
She let him order the wines; he did not stint on expense. Champagne arrived before their starters. Vintage. Susan let the effervescence drain the tension from her. She was prepared to laugh, to have a good time. As she pushed her fork around her risotto, watching him tuck daintily into his porcini, Dónal confessed he was afraid. 
“Of what?” she asked, not unkindly.
What if the next century brought him nothing but failure? What if he fell on his face? He drained his glass, threw his head back before demanding of her, “What if I am past my prime?”
Their main course arrived. Quail for him, sea bass for her. Both dishes enriched by what they had come to pay homage to: the white truffle. “Jolly good wack,” he said in a comical attempt at Scouse. He called for a second bottle of Pinot Noir. Susan loved his odd habit of stealing and combining expressions. Dónal’s temporary despair, as he put it, had mellowed with champagne. He became light-hearted during the first bottle of wine, funny again, making her laugh. Into the second bottle his mood shifted. He was pensive, almost dreamy.
“Ah, well then. To me.” His Irish was up and with it his glass of wine. “Now it’s failure I’m used to. It’s not a bad life. After all, I have made my way on a wing and a prayer generating literature, enemies and friends.” 
He returned Susan’s smile with a smugly innocent expression of “whatever.”
“I have learned to be soft, to understand differences.” He leveled his gaze at her. “I can even tolerate intolerance. I am able to lubricate rather than irritate. Rather than reacting, making a situation more polarized, I calmly propose a solution for intolerance.”
Without waiting for a response, he excused himself, rising from his chair. “I need the loo.” Susan watched as he swayed across the intimate dining room, navigating around a display of fresh funghi.
She concentrated on her wine glass until the waiter arrived to clear away the plates. She accepted the dessert menus. How had she come to have so many gay male friends? Recounting them in her head she saw Ralph, of course. He was a theatrical costume designer. He and his actor partner were her closest friends. There was the ex-priest, and a corpulent poet and his partner, the psychiatrist. Susan often accompanied another friend, a public relations guy for the Bronx Zoo, to opening night at the Metropolitan Opera, knowing full well the unspoken, that she was his beard. There was the journalist, now dead. There had been a landscape artist in L.A., also dead. 
She had been reading Virginia Woolf on the flight over. Why didn’t she have a Leonard? She did not because she could not have endured a Leonard. She recalled with fondness the closeted Argentine painter without a green card who had once proposed marriage for the obvious reason. She sometimes wished she had taken him up on it. With a start, she remembered something Ralph had said to her the night before she’d left. “Honey, I never thought I’d hear these words come from my mouth: You need a man. A straight man.”
Dónal stood before her. His face was beaming like a window in a red light district. “What’s happening to me?” he cried. “I’m burning up!” He leaned over, pulling her hand to his cheek. He was feverish. “You witch!” he shouted. Others in the restaurant turned to look.
“It’s transference,” she joked. “You know, when women spend a lot of time together they get their periods at the same time. You’re just a big girl.”
She didn’t care who heard them. He slumped into his chair, laughing. Susan called for the waiter. They ordered double espresso and cognac. 
Dónal reached for the bill. When the waiter left, he passed it to Susan declaring, “It’s very extravagant, shockingly so. Alec Guinness dined here often.”
They stepped onto Neal Street into a bone-chilling downpour. He took her elbow, propelling her over to Covent Garden where they would find a black cab. He was noticeably drunk, gripping her arm tightly for support.
Back at the flat, his mood darkened. He instigated an argument, insisting that she and Ralph must talk about him, and not in a nice way. 
“I know why he won’t speak to me. It’s the condom conundrum.” He told her he was having sex with five men, as it happened. Five. He refused to wear a condom. “I ride bareback. Shoot me.”
Susan managed to ask, “Are they poz, too?”
“It doesn’t matter,” he cried. “I have no need for protection. That is something you condemn me for, you and Ralph. I go for it, neither innocent nor guilty. My mind is innocent though, the mind of a child, a fool. I am sure you are both appalled.” He stopped for a moment to gauge his effect on her. “That is also fine,” he said.
He stumbled off to the bedroom, leaving his camel hair coat in a heap at her feet. Susan started for the remaining vodka in the freezer. It wouldn’t do. Instead she brewed a pot of strong coffee. She and Ralph did talk about Dónal, this promiscuity he embraced with a vengeance. “He’s a carnival act,” Ralph said. “Only he’s a dangerous clown and he can kill.” They had often debated whether Dónal had purposely set out to get himself infected with the virus. “He’ll live to be a hundred, I think,” was always Susan’s response.
In the morning, Susan greeted Dónal with a fresh cup of coffee. She had made a decision.
“I’m going back to New York today.” Before he could utter a word, she told him she would re-book at the airport.
“It will cost you,” he warned, still dazed.
“It doesn’t matter,” she said.
He saw she had packed. Both copies of his manuscript were neatly stacked on the table. His face went crimson. “I’m burning up! I haven’t slept all night.” He looked her up and down. “Those are my—.” She shot him a determined look. He almost touched her shoulder, but resisted. “Please change your mind.” She shook her head. He shouted, “You’re still drunk!”
“Maybe,” she offered. “But I think it’s best that you sort this one out on your own. The change will do you good.”
Susan pulled the front door closed behind her. She stood at the top of the stairwell adjusting one of his Burberrys around her neck. She slipped her hands into lambskin gloves lined in cashmere. He wouldn’t miss them. She could see her breath. It was cold, but it was sunny.

Saturday, May 2, 2020



















a room of one’s own
at the bottom of a glass
swimmingly free in the fight
for lost causes
a room of one’s own
has its leases and clauses
inside the darkness lit only by fight
she roils through the waves
again and again
her life is the lighthouse
the wineglass the lease on
a tenuous freedom
in night window reflections
a poet’s lesson 
culled from the bottle
reminds her again and again
of ongoing upheaval
a woman, an artist, a poet, a writer
still changes direction
whenever it suits her
a room of one’s own is
the room of a fighter 

nyc 5.1.2020

Friday, April 24, 2020



WALKING HARRY

“Summer of love, my ass.”
Tessa Scott cursed as she tore at the silver paper. Jerking her body sideways to protect her spotless white bell-bottoms, she angled a softened Hershey bar into her mouth. She readjusted the strap on her shoulder bag. It was a big yellow leather thing, a Salvation Army find. Buttery soft, it was like nothing she had ever owned. It carried all she held dear: lined notebook—black cover, red binding—spiral-bound sketchbook, favorite pens—her precious Montblanc—and a few felt-tip markers. Slotted inside, at least two of the many books she had going at any time: Joan Didion’s Slouching Towards Bethlehem and Revolution For the Hell of It by the self-professed “nosy Jew-boy,” Abbie Hoffman. Some days Tessa leaned toward the cool, spare non-judgmental tone of Didion. On others she faced life with Abbie, raw-knuckled and ready for a fight. At the bottom of her bag was a green-and-gold pack of Dunhill menthols. In among the cigarettes she could hardly afford, a freshly rolled joint.
It was the middle of August. Tessa had just turned twenty-three. There were still plenty of dog days ahead. Walking suited her, even as she tolerated the heat. She screwed her nose to the already exhausted early morning air. It reeked of rotting vegetables packed into metal trashcans awaiting pickup outside the markets on upper Broadway. This was her neighborhood, near Columbia University, where she’d sublet a studio apartment in June. Her bare arms glistened with perspiration. Already, New Yorkers were bitching about the demand for exact change on buses that would be enforced at the end of the month. Whenever she could save a couple of dimes, she walked. She’d already spent half the fare on the chocolate.
Tessa strode with purpose, avoiding the odorous proof of dogs deposited in the street. She was on her way to the East Side to pick up Harry. He was a wealthy man who required a walker. Tessa was the walker. High cheekbones supported her sleepy gaze. She had long, naturally blonde hair, and a headlight smile when she bothered to turn it on. Her favorite tight-fitting bellbottoms clung to her slender hips. A bright yellow-and-red sleeveless tie-dyed t-shirt tucked loosely into a wide patent leather belt. As soon as Tessa left Harry, the hem of her loose shirt would be gathered and knotted tightly, exposing her tanned midriff. Bangs that came to her fine eyebrows stuck to her satiny forehead. Her ponytail, defying humidity, swung jauntily in step with her determined pace. She knew she looked good.
“You remind me of Joni Mitchell,” Seth had said wistfully, before asking her to return the keys to their apartment on the Upper East Side.
She laughed out loud at an image of Seth, her soon-to-be ex, slithering nearly naked in acres of mud at some hippie fest, getting up to god knows what. At the crosswalk, an old woman alongside Tessa looked up bewildered. Tessa shrugged her shoulders in an I-can’t-help-it way.
Seth bitched that he’d missed out on the whole summer of love thing. He’d told Tessa the festival in Bethel would be a last fling before he settled into grown-up life. His old Ethical Culture buddies from the Fieldston School had gone along for the ride. They’d be gorging on sliders from White Castle, littering the dashboard and floor with grease-stained paper bags. The car’s interior, its floor gummed with soda, would be well seasoned with the aroma of fried onions, fat, cigarettes, and marijuana.
Seth was more likely to be one of the thousands stuck in traffic on a highway going nowhere. She pictured him arced like a jockey over the steering wheel of a platinum-colored El Dorado, that too-big car his father had leased for them. Seth, in his ratty navy-blue Lacoste polo, collar cocked purposefully. His clip-on sunglasses flipped like cartoon eyebrows. 
That car had been an embarrassment, conspicuously nosing through uptown streets on a hunt for dime bags. The magic gas-guzzler would look ridiculous alongside psychedelic VW buses in the anti-establishment parade of laboring pickup trucks heading for Woodstock.
Tessa continued down Broadway, more optimistic than she had been at the start of the weekend. She was rescued from a weekend of recrimination, mostly self-directed. When she’d moaned about missing out on Woodstock—this could be history in the making—her old high school friend, Hugh, set her straight. “That’s rich white hippie shit,” he told her.
He packed her into the crowd pressed inside a ragged rectangle of green in Harlem. Mount Morris Park was ringed by Black Panthers, with thousands of others who had ignored the heat, disproving the cops’ prediction of another Newark, another Detroit. Instead of rioting, the laid-back crowd sucked on fat joints, grooving to Nina Simone. From the stage the singer demanded, “Are you ready, Black people?” The crowd whooped their assent. Hugh’s unaffected grin beamed like a pearly crescent in a dark sky. He squeezed Tessa’s eager white hand. She tightened her grip on his.
Hugh had not deserted her. Not when her father fled a failed antique repair business and an erratic wife, carting Tessa off to spend her senior year in Hartford, Connecticut, where they’d shared a cramped, furnished apartment on Laurel Street. Not when she’d confessed to Hugh a disastrous friendship in Hartford with a girl whose coarse complexion and ardent nature had spooked her. Not when she returned to Manhattan and shared an apartment on Perry Street with another former classmate who hadn’t been nearly the friend Hugh was. He and Tessa were still artists together. They haunted the galleries and museums as they had done as students at the High School of Art and Design. They took classes at the Art Students League. They sketched everywhere, excited by everything—until Tessa met Seth.
Hugh had been the unwitting matchmaker. When Tessa turned nineteen, Hugh introduced her to soul food and jazz. They went to Sylvia’s, a new restaurant in Harlem. They gorged on ham hocks, fried catfish, collard greens, and black-eyed peas. 
After dinner, he walked her a few blocks to the Lenox Lounge to see a modern jazz quartet. Tessa was new to the genre. She fell quickly in love with the furious beat that both shocked and hypnotized her. The antics of a pack of over-stimulated white college boys seated near them distracted her. She leaned over to one who bore the bespectacled look of a mad scientist atop a footballer’s physique. Ever so politely, she told them to shut the fuck up. Seth was smitten. He abandoned his friends at the bar, and followed Tessa into the street after the gig. Ignoring Hugh, he pleaded for Tessa’s phone number. 
Tessa and Seth were a bad fit from the start. The foreshocks only became apparent in hindsight, when their marriage crumbled from the earthquake it turned out to be. Infatuated by their differences—for her, his wealth and for him, the paucity of hers—their brief, drug-fueled affair resulted in pregnancy. The mother of Seth’s best friend arranged a clandestine abortion, much to Seth’s relief. Afterward, Tessa’s demeanor had been wrongly interpreted. She mourned something, but what it was had escaped her.
Tessa married Seth in Arlington, Virginia. Standing near the entrance to the Holland Tunnel, they had not waited long before they’d hitched a ride south. The driver, in a flagrant move, pegged them as a modern-day Bonnie and Clyde, revealing immediately that he was armed. Tessa bolted from the car, back to the curb. The man grinned. Said the gun was in the glove compartment. It was not loaded. Seth, annoyed, urged her back into the car. The driver leaned across Seth, popping the glove compartment. “Take a look at that, College Boy,” he said. 
Perched in the back seat, like a watchful film extra, Tessa held her breath as Seth extracted a handgun, palming it under the driver’s watchful eye.
The driver directed Tessa to a cardboard carton filled with sawdust. At his urging she picked out a delicate bisque figurine. It was a miniature nude he called a “naughty.” Its skin was the color of peach ice cream. Tessa brought the six-inch figure closer for inspection. Its enigmatic expression defied cuteness.
The man bellowed above traffic as they sped southward, “Can you all believe that was shocking?”
“It’s beautiful,” Tessa murmured.
“She’s an innerestin’ collectible. Cheap in her time, but could be worth a lotta money.”
Seth gingerly replaced the handgun.
On the bus ride home the following day, Tessa had discovered that she’d lost the marriage certificate. 
She veered east on Eighty-Sixth Street, thinking about Hugh. Though he had not said as much, she imagined he was overjoyed when she’d told him it was over with Seth. Her marriage was broken, but her friendship with Hugh remained intact. What he had said was true, though. She had retreated from a creative life. She had allowed herself to be callously tossed—an object of curiosity—among Seth’s family, his disapproving mother and her social circle. She was the girl from the projects, the outsider.
Seth’s family was loaded. He had grown up in a sprawling apartment on Fifth Avenue, never having had a summer job during his private schooling. He went to the University of Michigan at Ann Arbor. Tessa had grown up in the Jacob Riis Projects on the Lower East Side. She worked summers throughout high school. Skipping college, she embraced the artist’s hardscrabble life. When they married, Tessa left her basement apartment on Perry Street. She moved with Seth to a brightly lit one-bedroom in a doorman building on the Upper East Side, close to the hospital where Seth would begin his medical degree. His father, a corporate attorney who had done well, paid the rent.
At first, Tessa strove for independence. She scoured the Village Voice classifieds for something different. She didn’t have to work. When she complained that his family looked down on her, Seth admonished her. “You’re just emphasizing the differences,” he said. “You don’t have to do this. Who is this guy Harry? Paint or something, or I don’t know, those woodcuts.” 
Entering the park along the transverse, Tessa slowed her pace, enjoying the summer day. She loved Central Park and missed its closer proximity when she’d lived with Seth. She had more than enough time to get to Harry’s apartment on Park Avenue.
Tessa didn’t often get beyond the front hall—the foiyay, as his wife called it—since she’d answered an ad in the Village Voice. At her interview, in the luxurious, if dated, living room, Tessa was offered a cup of tea, which she accepted from the platinum-haired, carefully dressed woman who kept her eye on her husband. Harry stood near the grand piano, trembling slightly, staring straight ahead. Tessa guessed from the black-and-white photographs in gaudy silver frames displayed like awards across the grand piano, that Harry had been in entertainment. Harry’s doctor, a psychiatrist, asked Tessa if she felt she could handle Harry.
Tessa smiled at the twitching man gripping the piano. She stood up and took Harry’s arm.
“I think we’ll do just fine,” she said.
The doctor and Harry’s wife had exchanged glances. “You’re hired,” the doctor said. Tessa had shuddered a little at the mirthless grin buried in the doctor’s dense walrus mustache.
Harry was improving. In the past couple of months, at his request, they had walked more often. Apart from a few mystifying tremors, he was calmer. Harry was rediscovering speech. He and Tessa were able to hold conversations—many abstract, some a few more personal. His gait was steadier than it had been on their first outing. 
Tessa thought the man he must have been was re-emerging. Tall, though slightly stooped to ingratiate himself and put one off guard, he was someone who had been used to running the show, whatever that show was. Harry might have been a flirt—surely a kibitzer. 
After a few sessions, Tessa ruminated on how detached Harry’s wife seemed from her husband. She talked about him, not to him. He was less like a husband, more like a ward. Rarely stepping out of the character of a well-dressed mannequin, she sometimes displayed a fawning affection for Harry that made Tessa uneasy.
Tessa collected her pay at the psychiatrist’s office a few blocks north of Harry’s building. The doctor had no receptionist, which struck Tessa as strange. She rang. He buzzed her into a windowless outer room. A deep pile carpet, the color of sand, covered the floor of the nearly bare room. The walls matched the carpet. One large abstract print in desert pastels hung on the wall behind a fawn-colored leather wing chair—the lone chair in the room. If the doctor were unable to see her he’d leave a check in an envelope on its seat. 
Tessa was always relieved when he was too busy to engage her. She felt shy and skittish around him, more so since the incident with Harry, when she’d taken him to see Roman Polanski’s new film, Rosemary’s Baby.
It was a stupid thing to do. She had been walking Harry for only a few weeks. When asked how their day had gone, Tessa usually mustered a cheery reply. “Fine,” or “Great!” She’d very nearly quit Harry after the first week. He shouted convulsively when she least expected it. Sometimes he’d stop dead in the street, fearful of crossing some invisible line. Tessa had to learn to wait patiently for his motor to shift gears. She usually gravitated to Central Park, where they spent most of the time sitting on a park bench. Children were frightened of him. She’d watch Harry as he trembled a hot dog into his mouth, sauerkraut raining onto his lap. Once they had visited the Central Park Zoo. They’d both been sad afterwards.
But on a dreary day, just after a rainstorm in early spring, Tessa had been at a loss. Park benches were pooled with rain. In just a few weeks, they’d exhausted the museums closer to home. Everyone was talking about the new Polanski film. If they sat in the balcony for an early afternoon screening, perhaps they would disturb no one. Harry might even fall asleep.
As it turned out, the doctor in the film who terrorized Mia Farrow’s character shared Harry’s psychiatrist’s surname. Harry grew visibly more agitated whenever Ralph Bellamy appeared on-screen in the role of the malevolent obstetrician. Tessa finally abandoned the film when she offered Harry popcorn. He began shouting unintelligibly, flailing his arms like a pinwheel in a storm. 
Outside the theater, Tessa picked salty white buds from her hair. The rain had stopped. A glimmer of sunshine made her hustle him past the Plaza Hotel, into the park at Fifty-Ninth Street. She prodded an agitated Harry to an empty bench near the pond, trying to calm him down.
“Sapisfucking…tryna…fuck…fucking…trynakill—,” Harry bawled.
At a loss, Tessa shouted at him, “Stop it Harry. Stop it now!”
Like a mechanical toy at the end of its wind, he collapsed into silence beside her. “Harry,” she soothed, “the doctor is trying to help you. Your wife loves you. I’m here, Harry. No one is going to hurt you.”
She’d kept quiet about the failed expedition that had caused Harry’s outburst. Tessa had been warned not to overtax him, to keep to the park, stay off public transportation. Take a taxi if they had to, but best to stay close to home. She’d held his hand in the cab. Harry had been steadier by the time she’d dropped him off, almost tranquil. “Let sleeping dogs lie,” Tessa had reasoned.
The next time she picked up her pay at his office, Tessa noticed the doctor’s brass plaque was missing from the front of the building. She waited while he wrote out the check.
“Somebody steal your plaque?” she asked, making small talk.
He looked startled at first. Then came that expansive, off-putting laughter, brimful of gravity. “It’s a very interesting story actually. That film? Rosemary’s Baby?” He advised her not to see it. Tessa blushed deeply, shaking her head. “It’s rather gruesome, not for a young woman like yourself.”
“Have you seen it?” she asked.
No, it wasn’t his taste. 
Tessa fidgeted nervously, anxious to leave and cash her check.
The doctor stared through her. “I’m telling you this in confidence, okay?”
“Okay,” Tessa replied. She listened restively as he told her about his odd connection to the Polanski film.
“The author of the book had a gripe against me. Seems I was treating his girlfriend at the time. He called me. He was livid with accusation. I was trying to drive her insane. I would kill her. I was evil. I had to be stopped. I’ve decided to drop my lawsuit. Better for my patients. I don’t know if he is still with her.”
He stopped to gauge Tessa’s reaction. She remained politely poker-faced.
“She’s no longer a patient.”
He lowered his eyelids, throwing his head back. A silent minute passed, compounding Tessa’s unease. Just as Tessa was about to speak, to tell him she had somewhere else to be, he jerked forward.
“This character, this doctor in the movie, is his revenge.” He reached across the desk, her check in his outstretched hand. “Pathetic.”
Tessa shuddered at the memory as she exited the park onto Fifth Avenue. The doctor was a strange guy, but he was looking out for Harry. She’d keep the office visits short.
The Metropolitan Museum stretched downtown. Tessa wasn’t sure what was on special exhibit, but they could wander the period rooms, have a bite in the cafeteria. She loved eating off a tray at the little tables that surrounded the reflecting pool. At the far end stood the smiling Etruscans. She and Harry guessed at punch lines to the sculptures’ ancient jokes. 
They had not been back since the spring. That an extensive exhibition like Harlem On My Mind would be too much for Harry had been a possibility, though it had merely tired him. Throughout, he’d been alert and communicative, especially in the rooms devoted to the 1930s. He paused at practically every photograph, scrutinizing as if for clues. They stood silently and watched a video of a former slave who lived in Harlem. Harry had not taken his eyes off the woman. 
When they returned, Harry’s wife was incredulous. “Why would you take him there?” she asked.
Harry stuttered a retort for the first time since they’d begun their outings. “I-I-I wanted to go.”
“But it’s awful,” his wife said, nonplussed. “What he’s done to the façade. It looks like a fire sale, that ridiculous sheet hanging there.” She nervously patted Harry’s arm and called for the maid. “Tom’s up to his old tricks, I fear.” She spoke of Thomas Hoving as if he were a friend, which he probably was. “It’s too confrontational,” she sniffed. Tessa had read the newspaper article calling the exhibition irrelevant. Calling Negroes irrelevant. She didn’t understand.
Harry had responded as he’d been led away, catching his wife off guard. “It’s s-s-supposed to be.” Tessa had registered something like shock creeping into his wife’s expression.
Tessa crossed Fifth Avenue. Harry’s apartment building was just up ahead on Eighty-Third at Park Avenue. She looked forward to seeing Harry in his now customary seersucker suit, always with a club tie and a pastel-colored shirt. He’d started wearing a yellowed straw hat with a broad brown grosgrain ribbon, tipped at a rakish angle.
His wife had fussed when it first appeared. “That old thing,” she said.
The doorman at Harry’s building greeted Tessa, calling her “Miss.” She was early and knew not to show up before the appointed hour. “I’ll just sit for a few minutes,” she said, breezing into the elegant flower-bedecked lobby that stretched like one of the great halls in the Metropolitan Museum. She settled onto an upholstered bench near the elevators. Her flushed appearance drew another smile from the white-gloved elevator operator. 
Tessa fanned the pages of Abbie Hoffman’s book. She felt a wave of unease. Maybe it was the gory details about the Manson murders played out in the tabloids, or the whole Polanski thing all over again. Maybe it was too damned hot. Nowadays Harry was ready and waiting for her no matter the weather. They’d used to go to Soup Burg on Madison, which Harry liked, but his wife disapproved of what she called greasy spoons. “You’ve seen p-p-plenty,” Harry said. His wife had checked her expression, responding blithely, “Well, as you can see Tessa, he’s still got his imagination intact.” 
Maybe they’d take a cab to Serendipity. Apple pie for Harry; she’d order a chef’s salad and a frozen hot chocolate. They could still catch a movie. The Odd Couple was sure to be harmless fare. Her job was getting easier, the perks growing.
 Harry had asked if she liked walking with him. Of course she did. Then he told her that he pretended to be crazy at home just to keep up the walks with her. Tessa had been terribly moved by that. She wondered how long before she could get Harry on the Staten Island Ferry. How long it would be before he would tell her about himself, his past. How long before they could step out of the still constricting present. 
 The week before, Tessa had ventured to ask the doctor how she was doing. She had long-range dreams, both for Harry and herself.
“Well,” he said. And then, inexplicably, he’d added, “A little too well.” Of course he was kidding her, he’d added. 
When she entered the apartment, the light was the first thing Tessa noticed. Until that morning, the living room had always been shrouded in heavy, olive-green velvet drapery. Massive oak furniture had disappeared in the darkened room. Now the room glowed with sunlight from bare windows. The walls had been stripped of paint. The claret-colored carpet had been removed from the foyer, exposing a veined white marble floor. Paint samples in shades of ivory and beige were taped to the walls. Tessa saw the piano covered in plastic sheeting, the photographs removed. She waited in the foyer as the maid instructed until Harry’s doctor appeared.
“We won’t be needing you any longer,” he said. He handed her a check. “Thank you for everything. You’ve been most helpful.”
“Harry…?” Tessa managed. Her confusion only grew when he prodded her to the front door.
“Unfortunate,” is all he said. “Most unfortunate.”
Tessa stood for a moment in front of Harry’s building. “Well, that was weird,” she muttered. The doorman stared straight ahead.
What next, she wondered. Hugh would say, “No excuses now, girl.” She could finally lay siege to her life in cartons. Liberate her few possessions once and for all. Seth had let her take the stereo. He was getting a better one anyway. He’d said that in the offhand manner he’d affected since they had agreed to divorce. There was a new album Hugh had given her called Karma, by some way-out sax player named Pharaoh Sanders. There was a joint in her bag. When she got back to the sublet she’d dig out her woodcutting tools. She’d sharpen them slowly and carefully on a whetstone. With a brush loaded with India ink, she’d commit her thoughts to paper. When she was satisfied, she would transfer the ink drawing. Then she would ravage a clean block of pine with chisels and Japanese knives until the image it bore resembled her conviction.
Tessa started back toward the park. Walking suited her. She was not a collectible.